हिटनू भुला माठू माठ

Let me traverse my journey slowly- slowly

Her face is etched in my memory with this line in Kumaoni which she always uttered when leaving for her home. Those days when she visited us I was a tender bewildered young boy who looked at world with wide astonishment mingled with an anxiety which turned to fear sometimes. She stayed at the village some five or six miles away from our place and reached our house by traversing a steep climb up the foot track on hills and returned by travelling down it. Something in her face and demeanor made her distinct to me from everyone else and to gaze at her silently from a distance .


Medium in height, a slight oval face with large eyes, fair complexion and a bit plump. Her voice clear, low and melodious she would have been in her mid thirties. It was her eyes which were most expressive. She smiled mostly through twinkle in her eyes. Today I can call it serene acceptance and resignation to whatever life makes you to go through.
But then it just made me to pay attention to her and it had a soothing effect on me. I gathered her story by the tid-bits which other adults at that time talked about her among themselves.

She was a childless widow who had lost her husband only two years after her marriage. The husband if I remember correctly was in army. Belonging to a too poor family the young widow had no home to return for some solace or hope of a better future and was dependent on her matrimonial home for everything where she very soon became unwanted. She started living separately. Domesticating a cow and few goats and working off and on for others as her years passed by . Some ten years of her life went by in this solitary, silent non eventful sufferance but without any turbulence.
Sometime after this she got a kind of steady job at the house of a person who was some kind of a certified medical practitioner appointed by govt in the village . He was called Doctor Saheb by village folk but was not a person with full fledged medical degree. I think he was supposed to provide some preliminary medical aid to village community for common milder ailments and received a govt pay.


The lady whom I know by name ‘Hariye Maa’ ( meaning in kumaoni mother of Harish -her sons name)got the job of doing all house chores for him.
She got a fixed amount for it at last of month. It seemed if this made life easier for her a bit. One day she abruptly stopped going to his house.
The reason became evident only after five months when bump in her belly became too visible to her and everyone. It could be only the belly of a pregnant lady. When questioned she narrated how the fellow called doctor forced himself upon her one day and she could do nothing after it except to stop going to his house. The doctor had heard enough of the commotion so when approached to confront his deed he had enough time to pack up and disappear. When She used to visit our place her terrible status of a widow with an illegitimate child was well known. The village of course treated her as a pariah and it was acknowledged that she had disreputed the whole village( poore gaon kee lutiya duba di)

A male child was born who was named Harish. The child was brought up by her in a way which surprised everyone around.Her devotion to child and her upbringing was absolute. The child was born in shame known to all world. He would be butt of worst mockings as soon he would be able to understand even the least minimum of the world but from her mother he got only love and care.

When she used to visit our place that was her situation in life.I remember in my neihbourhood she got most sympathetic almost loving treatment from ladies with whom she interacted . Her plight was termed as cruelest of destiny.

It must have been mainly due to her gentle, innocent demeanor and her devotion to the work she was called upon to perform for others.
This mainly involved cutting the grass in forest and carry it a long way from there with others to home of our neighbors who domesticated many cattle .
I remember seeing her son who would have been some four or five years elder to us. He seemed a normal and unusually good boy who it was said kept the contact with outside world only for his practical affairs and kept closely to her mother. This was as I knew her before I left the town I lived in for Eighteen years and where now I will return only off and on and would never stay long to see how one season changed into another.


It was some seven year later when I saw her again. I was on a visit to home and was out in sunshine basking in the warm early afternoon sun. An old worn out lady was ascending the stone stairs leading to the verandah common to all families of neighborhood. She did ask me if our neighbor is at home. When I replied Yes She passed on to the next house.
I could easily hear to the conversations they were having but I was only recollecting when had I seen the lady earlier. And I remembered.
There was nothing left of that distinctiveness in her face nor in her voice.
She was silent most of the time indifferent and passive. A flower broken off the stem and crushed beyond recognition. When she left I asked and came to know following further course of her life. She brought up the child who had no father to name with utmost care. She managed to teach her up to 10 class .At first he picked up the small jobs at shops but at last he managed to get a daily wages contract job at Mall road post office. What he would have written for a fathers name I don’t know.

Nor was it ever known what were the exact circumstance or cause of his death?


He was found on the side of the main motor road some three miles away from his village on a morning with a trickle of blood from the corner of his mouth. When his absence to reach the home at usual time led to enquiries .
That day she said nothing when leaving our place. She had left nothing to remember about her that day except someone totally defeated by life. A meaningless life and destiny of which no meaning could be gathered by anyone. But it was not the end.

Three years ago (some twenty years after the above chance meeting) I overheard a conversation between my neighborhood lady and some other female voice. I was sitting at the same place in verandah enjoying the sunshine. This low melodious voice was familiar to me from long way back from my younger days. Someone was talking excitingly about Ramnagar and a lady and a marriage. I stepped up to the spot where the ladies were talking. I pulled up my chair near to them. I could remember the face. She was’ Hariyes maa ‘ of course. For a moment she looked intently at me , when I wished her She said with the same twinkle in her eyes you look like someone I have seen.


I had never ever spoken a word with her in those days when she and I both relatively much younger had seen each other.
I reminded her that she would have seen me then. Yes you are Kailash I think she said. She would have remembered my name by others calling out me so. This set me talking with her for first time in life. Those days long gone by. She asked about other children she saw around at our place and remembered.
Where they are and what they are doing.
What I do.


She also remarked she enjoyed those days, the hullabaloo of children and others of our place. The hustle bustle of work . cutting and carrying stacks of grasses from forest . Having the tea with gur (jaggery) and the group feast of mashed up pahari lemon in curd, gur, oil and specially prepared green salt. I asked her what marriage she was talking about at Ramnagar. It was leela’s daughters wedding I went for she said.
Is she your daughter I asked with some surprise. After a hesitant pause she nodded her head and said yes.
I couldn’t and did not provoke more information on that knowing her past but it left me curious.
I took a keen interest in talking with her m and listening to her. I was not left unrewarded for that.
She remarked how humble and good a person I have become, though being so educated and belonging to a big city of big outside world I had condescended to talk with a poor lady who is nothing in this world.
When that day she finally left I turned immediately to her most intimate friend .
But Kainja (Mausi in kumaoni) when she had a daughter. Her son had died. Did she remarry? No that is what happened I was told. After her son died she was in a half dead and half life state. People had started declaring her pagal ( madcap) Then something happened in nature own way to rejuvenate her back to life completely. In the year 1992 Monsoons in kumaon were unusually destructive and devastating.


One family in the village where this lady lived had its settlement separate from the main village at the foot of a low lying hill. The family besides parent had three children Two daughters called Leela and Madhu and a boy called Bhuvan. The family had some cultivable land but father the head of house by sheer dint of hard work and determination had collected a huge livestock for sustenance of his family. Two buffalows ,eight cows and some forty goats. One day in that year of terrible monsoon that harmless looking low hill descended on their settlement taking away the parents and larger part of livestock . Children who occupied front most part of the house came out intact though there room was filled up with large.mass of debris left by landslide. The orphaned children were clueless how one lives after such blow given out of nowhere from nature. So were village folks how and who takes care of three orphaned young children ?


Now came the lady into the scene.
Once She had brought up an illegitimate child and had immersed herself fully to give him as good foothold in world as she could regardless of the world . Now she and children decided to adopt each other. Her stupendous success in this is talk of the village now and will remain forever.
The usual refrain among people was no real parent could have done more or could have bestowed more love and care. They took up their starting point the remaining livestock and the cultivable land.

The most touching part was her insistence on the education of children. She after a time tried to absolve children of all tasks other than studies as much it could be done. And this was evident in the report of the three children by their present status. First child Leela and her husband both are employed in Corbett park of Ramnagar. Madhu a primary school teacher in an adjoining school The youngest , boy Bhuvan in block development office of the district. The lady had found the purpose for her life again in children unwanted and lost in world and had saved herself ultimate defeat in hands of life. Descent into despondence. Her slow but animated talk that day which I overheard and than had with her clearly revealed how much immersed she was in her life. Talking of the affairs of her children she had so lovingly and hopefully brought up. She had too much to occupy herself also at home she had built for herself and the devastated children on the ruins of a devastating landslide and so many ruined lives. It was clear in her voice and the spring of her step When she did start to leave that day after a very long talks with us.

As she started to leave I urged her, Didi go after one more cup of tea On my this request, she smiled a full captivating smile. ‘aab tame haigo. aab hitnoo bhula maathu maath’ It is time now, let me traverse my journey slowly slowly. Poor ,gentle great lady how much of life you have traversed slowly slowly. Widowed ,Destitute, deprived of a loved child unwanted by world, calumnied, stigmatized and rejected by world because some brute did great violence to your body and soul , you did not stop your journey. You instead lifted up those on your shoulders who had been left hopelessly stranded in their journey and continued your journey with them.
small creatures finding their way in world.

Such has been your journey,
Happy journey to you.

A FAVORITE HINDU GOD

Once in Ranikhet while waiting to board the evening bus to Delhi at Roadways station I was looking at the distant north horizon sitting on a parapet on the side of the road. The Himalyan peeks shining against blue aszure sky in the light of the evening sun. Since I was alone I was lost silently in the scenery and the melodius mood it invoked. Few feet away a lady from a foreign country who would have been in her late twenties was also intently looking to north almost in the same mood. She was also going to Delhi and had been to Ranikhet for a stay at Haidakhan

We struck up a conversation. After a while when we had had some introduction she asked me. Tell me who is your favorite God.
I said there is only one god so how one can have a favorite? She said smilingly -No I mean Hindu god. I asked her in return .Do you think there is a special Hindu God?Ok, I mean, you know like Shiva, Vishnu, krishna or Ganesh Hanuman or others. She said
By this time I was preparing myself mentally for a debate if she expresses any frivolous or mocking attitude towards the Hindu religion.
But she immediately answered for herself .
For me my favorites are two- Hanuman and Ganesh. It seemed to me that her curiosity and excitement were childish or if i put it generously childlike. It seemed if she was talking of her two favorite toys.

I narrate this incident because later on this short conversation contributed in provoking me to think more deeply on religions of man and the place of Hindu religion in it.

I have had opportunity to express my views on it in this group on earlier occassion also.
On Shivratri I had written ‘Some thoughts on Lord Shiva’. My aim was to convey some deeper meanings of Hinduism to those who are not acquainted with it.(As I have learnt in course of my studies and deliberations)

Recently a video is doing round where in a supermarket (supposed to be in Bahrain) A muslim lady is going berserk on seeing the idols of lord ganesha and breaking them one by one in front of the shopkeeper.
This at first instance provokes an ice cold rage against such a medieval affront to the belief of others. But on sober reflection it seems more approriate to ignore the lowliness of a poor mentality and try to develop ones own understanding of ones own and others faith.

In context of all this I will like to put here again some of my understanding of Hindu religion.

My first feeling is that Hindu mind does not pretend to know that which within the general capability put upon by nature on human mind he is not capable to know.
In other wordsHinduism recognises that we know nothing of God but at the same time the real purpose of human life is to strive to know that unknown.
Therefore there is no one codified system of belief about god available in Hinduism as is available in other major religions like Islam and christianity. Nor is their one book or one prophet.

[8/23/2020, 09:29] Adv Kc joshi: According to Hindu belief no book, no prophet can help you to know the truth. They at the most are guideposts in your quest for truth. You are on your own. Thus any spiritual speculative belief which makes an effort to know the reality and is ethical in its form is recognised in Hinduism. consequently the god in form(sagun) or god without form (Nirgun) both are considered valid form of devotion for spiritual practice corresponding to the spiritual inclination of its adherents.

The variety of beliefs and means in hinduism suggested to access the unknown and infinite which we call god is staggering.

At the time of Buddha there were approximately 64 spiritual sects with their distinct philosophy and system of beliefs .(Of these only Charvaks or materialist cannot be termed a spiritual group. Their philosophy resembles with communism of today.)
Almost a similar number could be traced today .But there is one uniting thread in all this variation . All spiritual traditions of india recognise the authority of Vedant or Upanishad and trace their belief to this ultimate authority..

In other words there is no codified assertion about the fact of god. Seek your own way to reach the truth and take help from wherever you think best for you. That is the message of Hinduism.

As for Means to reach the ultimate ,Gita itself suggest variety of means. Karma yoga,The way by pursuit of virtuous action. Gyan yoga, by pursuit of Knowledge, bhakti yoga ,by loving devotion to god and Hath yoga , the way to reach the truth by spiritual practises, physical and meditational in nature.

Hindus pride themselves on this spiritual diversity. it is called catholicity of Hinduism and is held responsible for its endurance through thousands of years.
[8/23/2020, 09:30] Adv Kc joshi: One other striking feature of hinduism, with a deep meaning ,is that God is represented both in forms of Man and woman . In spiritual world at least ,for a Hindu ,there is absolute equality of man and woman. Lord Shiva and Goddess Durga are on same pedestal.
In this Hinduism recognises two energies as the basis of all existence. In the highest evolved form of life in human beings it is manifested in male and female form but it also extends to all animal kingdom in the form of opposite sexes.

More than it, this principle extends all the way to inanimate material world .The last constituent of matter , the atom , has two opposite energies of proton and electron. Their nature of attraction and repulsion broadly applies to the whole universe. living as well as non living. And thus it is extended to the level of divinity and meditations on them a means to know the truth.

When we look at God and Goddesses of Hinduism it is in fact the recognition of this principle of existence.

But what is idolatory?

Why we represent god in idols? Even when we know this material manifestation is not that truth we say god.
Let us understand it this way. What we do for the remembrance of a beloved deceased , who we dont know what he is now and where he is and in what realm of existence . We revere his photograph , treat it as more sacred than any living thing. Pay homage to him and believe somewhere in eternity there will be a meeting.The picture of his is a reminder hold him forever to our memory.

All Hindu idols are photographs of that God, the unknown who we know not what he is , where he is but yet the heart and mind believe with all their force that he is and can be found.Though nothing in themselves yet as a representation of him the most sacred of our belief. The symbols who help us to focus that there is something more than in our lives than the just ephemeral world around us.That is called Faith.

We have seen the beloved deceased and has a replica of him but of god we dont have any such remembrance .But we use the power of our imagination, endowed on us by nature and put all the sacred attributes of our imagination on him and make an image of him with aids of our imagination in these idols. For the remembrance of one who is source of all love and truth of life.
To make the conception of idol in hindu spirituality crystal clear the life of SWAMI RAMKRISHAN PARAM HANS and his ultimate spiritual experience is the best of examples.

His spirtual journey began with devotion to goddess kalika. He went a huge distance with this sadhana of his in his inner journey. The goddess was more real to him than his own mother.
But he was stagnated in last stages of his quest of the ultimate truth. An upanishidic seer by name of TOTAPURI met him in this stage and guided him to the ultimate quest of truth.
Ramakrisna reported all his visions and dpirotual progress to the sage . But he said that when he thinks he is about to jump into eternity the figure of goddess kalika is always between him and that ultimate point .The sage sent him again and again with admonition that remove the figure. But rama krishna was never able to do it. At last the sage handed him a sword and said if that figure comes to you now cut its neck with this sword.
But how can I cut the neck of my mother ? Ramakrishna remonstrated
It is not your mother dear ,Totapuri said. It was a ladder your mind discovered to reach God. When you reach the top and step up for last destination you dont cling to the ladder.
At last Ramakrishna summoned courage and when the vision came to him next time He cut the neck of goddess and jumped into eternityand final truth.

This is in Ramakrishna ‘s own words in ‘Ramakrishna amrit vachan’

Such is the idol mystery of Hindu belief.

Lastly I think I should answer the question of that lady from a foreign country . Who is my favorite god.?
Infact it has depended on situations.In childhood it was Hanuman, When I got into fearful situations I believed that all powerful god will save me by reciting his prayer of Hanumanchalisa.
Later on it was Lord Rama by whom I was enchanted with Ramalilas in my neighbourhood.
Eventually I read a wonderful book called ‘The Dance of Shiva’ by Sri Lankan writer Anand Kumarswamy and Lord Shiva became my favorite god.

But I am now grown up enough to know that all this is the plaything of mind or just a fond reminder of that unkown and infinite.
Sadly the real god is light years away.
By kcjoshi Adv, DHC

CRIME AND PUNISHMENT’No matter what their future, at the dawn of their existence all men seek a noble view of man and existence’-AYN RAND

The work of a dangerous mind murder by paul cezzane(1839-1906)

For last one week or so , Indian channels have streamed on us relentlessely the story of a criminal gangster who killed eight policeman in one go who had gone to capture him on a raid.
Such continuous exposure tires one of a so trite a theme as a crime but I will take it as an opportunity to ponder over the fact of crime and evil in human existence which has been an indispensable element of Man and his society ever since they come into existence.

In Social Psycology and practice
of Criminal law and much so in literature one comes across myriad explanations and theories of crime .But the world of crime is an ocean which no one can dream to fathom completely. Yet again and again it stokes ones curiosity to understand what are the deep secrets of crime in depth of the human soul and in the labyrinths of social life which makes the fact of crime so prevalent and possible in human life .
Someone has said that there are as many reasons of crime as there are men in world.
It can be a general truth. But there are societies and their systems and there are circumstances which can almost pull a man like a magnet to the situations where a man is at war with world and with himself.

In literature Fydoyor Dostevesky is the Russian novelist who is considered the master Psycologist of evil Psyches. His novels like Crime and Punishment, Brothers Karamazov and Idiot explore deeply into indivdual psyches of criminal characters.
No general principles are postulated by reading these novels but the motives of the individual characters, their mental universe and the drive which inexorably pushes them to their acts is considerd unsurpassed any where in world of literature.

Personally I feel Shakespere is unparralleled in crafting a villain and exploring his soul.
Mabeth ,Lady Macbeth and Iago of play Othello are such characters in whose souls shakespere enables you to have a deep peek .
I think shakespere has created the perfect evil character in Richard III who will stop at nothing to gain his ends.

But Dr jekyll and Mr Hyde if I understand its theme correctly reveals 9the fact of crime most truthfully. Mr jekyll a perfect gentleman has invented a chemical concoction. when he drinks it he transforms into a complete devil (Physical features including)and does the most heinous acts possible. When its effects are gone he returns to his old self.

The theme of the novel is that the Hero and the murderer both are within the same man.
The courageous thing is to recognise that there is also a murderer inside us . Let it express itself in conciousness and not repress it there. That will be a guarantee it will not express itself in action.

The literature is replete with stories of crimes . I will mention only two more.

First is the novel Les miserables by Victor Hugo. This story tells how nobleness and greateness in one man can dissolve the great power of evil in other.
To paraphrase a long long story very very shortly , Jean valjean a very poor lumberjack steals bread from a shop to save his family from hunger. He is sentenced to nineteen years in jail for that under then French law.
Unhappy in jail he tries to escape it many times, is caught everytime and is released when he is forty years old. He had entered it at age of 17 years.
When he comes out of prison no one is even ready to talk with him ,forget providing any help because he wears the yellow badge which in those days had to be worn by every released convict.
At last a preist takes him inside his house treats him with utmost compassion and respect ,provides him with food and bed.
At midnight jean valjean wakes up and steals the two gold candle stands which preist had put besides his bed and runs away from the house.
Next day he is caught and brought before the preist. The preist orders the policeman to release him and says he has voluntarily given it to him.To make his story more convincing he says to the convict I had given this silver basket also to you . why did you leave this behind?
Then he goes very close to jean valjean and whispers in his ear:Jean valjean,my brother today I take your soul from devil and give it to god. Never break your promise to me that you will use this gold for good of you and others.
How this gesture turned a man who was on verge of becoming a die hard criminal to a saintly character is the long great story of one of the gratest book in world literature.
.In the novel there is a sentence -‘There are no bad plants. There are only bad cultivators.’

Dr jekyll and Mr Hyde

Then is the story of Angulimal the most dreaded criminal of Buddhas times whom buddha turned into a saint.
The story says Angulimal was a troubled young and highly sensitve soul who goes for refuge to a godman to gain some peace. The godman turned out to be a crook in the garb of a great man. This broke his trust in nobleness of human beings thoroughly and completed his hatred for mankind to full. He resolved to kill at least one thousand men and wear one finger from the corpse in his pearl as his achievement . Every one avoided him by his best means except his mother who used to take food for him.when he had killed 999 persons he found it impossible to get the last man because by now people would avoid him by whatever means they could.
The man at last is said to have told his mother to not come to him any more because he will kill her to fulfill his promise of killing a thousand men!
Buddha when heard about him resolved to go and confront the evil in Angulimal.The greatest evil could not stand for even few minutes the radiance of buddhas life. Buddha rescued him from the clutches of devil to release the divinty within him.We all have read thr story in our school days.

There are too many social and psycological theories of crime.One I remember vividly is the label theory of Howard becker.
By this theory ,society as it is ,when finds a person in a deviant act hardly helps him to give an understanding of the fatal consequences of the act and use most effective means to get him out of it .It rather puts a label to him as a thief or a cheat etc . once a person comes to accept this label of society he has entered that territory from where there is almost no coming back.

One other is the Sub culture theory of Crime. According to it in society there are sub cultures within the Mainstream culture of Society. Such subcultures have their own value systems. In a sub culture where deviant acts done on society are considered courageous a criminal is admired and gets his sustenance.
Then there is Emile Durkhiems theory. According to this sociologist, crime is inevitable in a society and it serves a function also because it reaffirms the moral boundaries of society(changes the concept of what is good and bad in society) and helps in social change.(Do not try to understand this theory too much. No one gets its exact meanings )

Lastly there are our Marxists or commies
who believe that when they will establish their Utopian society there will be no crime in society.(In a great irony of human history when Marxist have created such societies in recent history they have created such criminal states that their countries became slaughter houses where people were killed in millions only because they differed from them in one or more respects)

Other than Literature and social theories crime is the loaf and bread of cinematic medium. But only very few movies explore its complexities at deeper levels.I can name two movies which have brought forth deep unconcious motives which can drive a criminal behaviour . They are ‘The Silence of the Lambs’ and ‘Psycho’.

The Moral law within and the starry heaven above

The moral law within and the starry heaven above

What about the Punishment part of crime?
The truth is neither society nor man can punish a criminal act in real terms. The man and society can exact only revenge and retribution.The punishment or say the real punishment can be exacted only by the Divine.
Immanuel Kant ,the German philospher ,said he believes in the divine for two reasons.
‘The moral law within and the starry heavens above.’
So it is really the moral law within written on the soul of everyman which brings the punishment. The smallest indiscretion brings forth an unplesant sensastion and the smallest good deed done is rewarded with a pure joy.
The criminal infact voilates the edict of nature in committing a criminal act against his fellow human being and nature bring the punishment . His criminal act takes him away from the life within him , impedes his way to attain a bridge with all life and alienates him from that divine source to strive for which is the purpose of human life.
His journey takes a reverse way -From truth to untruth, from light to darkness, from eternity to death.
In words of another great man ‘The vulgar soul is best punished by his own vulgarity.’
Though in the intoxication of his superficial and temporary power the poor soul of offender can decieve himself to be happy.
Remember the words of Christ-Pity them for they know not what they do.
Who can exact such punishment but Divine?

THE COLORS-RED AND BLUE

I am not aware if there is someone in this group who is a passionate lover of the art of painting.I am not talking of the usual and common inclinaton to like pictures and colors. I am talking of that effect which a ghazal by your favorite singer, say ,a mehandi Hassan or a song of Lata Mangeshkar makes on you.

VERMEER-GIRL WITH A PEARL EARRING

MONA LISA -Lenardo da vinci_painting we heard about and saw since childhood

There is a saying,almost a cliche,in the world of art that some realities or truth of existence are communicated only through particular mediums. So what is conveyed of reality by a an artistic work of painting or sculpture can not be conveyed by music, poetry or a novel.
The next thing for me to say is that I personally have never been able to penetrate so deeply into the heart of the art of painting. This to me is a self demeaning statement but it is the truth.
To me my kind of music , poetry or literature can reveal ,for a moment, the lucid and blissful glance of reality but it has not happened to me ,at least to such a level,with painting.
I am better with sculpture. A statue of Buddha from ancient India can throw its vibration of utter calm and peace on me and can transform a tempstuous mood into a better one .But to my utter regret and despite best efforts I miss that effect of paintings on me.
I say best efforts because I even once joined and completed a certificate in art appreciation conducted by National Gallery of Modern Art, in New Delhi.

I learned a lot about painting and the name of great painters of the world from East and West but it remained to a large extent a theory .
Perhaps all of us have heard such names
as Leonardo da vinci, Rembrandt, Vermeer,Vincent von gogh,Claude monet ,paul cezzane as great masters of painting from west, Jamini Roy, Raja ramchandra verma, Nand lal bose, Maqbool fida hussein and many others from East.
But the course was not all together without benefit. It taught everyone about some basic principles of the art of painting and sculpture .I will like to share these principles with you.

The starry sky – VICENT VAN GOGH

THE LILY-VINCENT VON GOGH

First as I already said the visual medium of plastic arts, that is painting and sculpture reveal those realities which we cannot percieve in other mediums.
To the one who is capable of percieving so , the effect of paintings are like what the mystics describe as the effect of the visions of god, incommunicable.
Some persons more than others are extremely sensitive to subtle variations in colors either in painting or in nature.
Lines too, like color , have specific effects.
The symmetrical balance of parts of a painting, the easy fluency of a curved line, the decision of a straight one, all are contribitions to our aesthetic pleasure.
Second, in a painting, what is primary is the elements of color, line and mass .These should be all that must engage the attention or all that should be expected to provide the enjoyment to the observer.

Christ in sea storm -Rembrandt

From this point of view , weather the painting is of Maddona and a group of saints ,or a bowl of fruit , or a group of buildings is utterly indifferent
In other words the literary or human significance of painting qua painting is utterly indifferent.
This is the theory behind what we call abstract art.
The poetry of painting is line and color , which have their own imaginative reverberations, induce a hypnosis and a dream in a way that is analogous to that of words and rhythms but that is nonetheless that of a painting and not of poetry.
Those liquid blues or yellows or reds or browns, that shadow falling here, that emphasis of mass there , it is in terms of these, too, that the imagination is controlled by art of painting.

Claude monet -The lilies in the lake
RAJA RAVI VERMA _THE EAR RING

The general considerations applicable to painting apply to sculpture also but it is a distinctive art in the sense that its theme and subject matter , in the first place, is primarily the human body.

The sculptured figure is intersting to look at as it arouses feeling of muscular sympathy and tension and repose, awakens incipiently the desire to sense and the sense of touch.
Sculpture unlike painting does not have the resource of color. It depends on line and mass for its effect.

NAND LAL BOSE – THE SOIL TILLER
JAMINI ROY

Sculpture demands a kind of grandeur of theme , and has flourished in ages where life was afforded in grand manner either materially or spiritually . As it did in Athens. or Italy in the rennaissance or in Ancient India.
It is a beautiful art , but a chill retrospective monument to civilizations that are dead.
Finally , I said above that painting doesnot stir in me those levels of feeling which I can get so many times from some lines of say Shakespere or others or ghazals or indian classical music .

Phidias Athenian sculpture

But I will narrate a personal incident to the contrary.
I once went to an Exhibition of Painting in Delhi at a place called India International centre.A young and relatively new aritst was exhibitng his work.
Among other works there was a work where a man , half prostrate and in a sombre breathless tired expression was holding something like a globe on his back.
Behind him there was splash of Red colour, predominantly dark and in lighter hues.
In front of his eyes was calm blue color in dark and in other shades
After gazing at the painting for a while I found that the artist just disengaged from talking with someone and was passing by me.
I asked him if he can explain the painting for me. This is what he said;
I have used predominantly the colors of Red and Blue in this painting. The Red color behind the figure of man represents the struggle of man thru life. The blue colour in front represents the peace and happiness he yearns for.
I was awestruck. Suddenly the colors and the painting had an altogether deep different meaning for me.
My deep intense feeling was- So this is the art of painting. The figure of man between Red and Blue moved me almost to tears.
Later on I read the cloumn of late writer Khuswant singh in Hindustan times. He had been given the same explanation and his feelings were same.

P.S.I hve written above lines to just as much exhort myself to understand the art of painting as anyone else
I drew upon a book called Arts and the Man by Irving Godwin to state some principles underlying painting and Sculpture.

The story of Pahari Lamphoo

ENOUGH OIL IN YOUR LAMP
THE STORY OF PAHARI LAMPHOO
Harendra sir ,you had sent a story on lamphoo the lamp of a bygone era in hills,
a few days ago. The story came again to me in an other group. Though I have a lot of special memories associated with it I could not gather enough words to articulate it immediately but i will definitely like to elaborate my recollection of images and emotions from that past when this lamp sending a very dim light illuminated the darkness of many houses of village folks in Uttarakhand hills.(You might have come to know by now that i am fond of doing such things and so will bear with me😄)

Houses of Uttrarkhand village

I used to come across this source of light when we used to visit our ancestral village or my Nani’s village once in a year or many years.
This lamp came into existence with the advent of kerosene oil. I once asked my mother what preceded it when lamphoo or kerosene oil was not present.
She said it was ‘chhiluk’. ‘chilluks’ are very thin slivers of pine wood sliced off from the base of pine stumps. In this area of the pine stump turpentine or ‘Leesa’ is densely concentrated in wood and is immediately inflammable.
But it would have been highly inconvenient .
as it had to be held in hand so long as it threw heat and light and the light from it lasted only as long as it burnt.
It was not a steady source of light for a cosiderable duration .
Thus as a progressive step in material means lamphoo came into existence.
The origin of the word is also interesting. It consists of the amalgamation of two words. English word Lamp and phoo. The word described the whole nature of device. A lamp to be put out with a swish of air blown out from the the positon of lips required to make the sound of phoo.(There are many words adapted from english and made a common parlance of kumaoni language Like
Alope ,to disappear, frome Elope . cunter from container etc)
I remember the exact shape of Lamphoo .It happened to be greyish white and most probably made up of aluminium or perhaps a mix of aluminium and tin. I tried to get a picture of it from internet but this antique piece is not there despite such incredible prevalence of internet on everything. So I have made a sketch of it for your perusal.

It had a flat circular base with a rotund small container fixed above it over which there is a small hollow vertical node. The wick is inserted from the node down to the base of container to pull up the burning fuel which is invariably kereosene oil .The flame is lighted up at the top ,burning in open air like a candle.
I think i have dwelt too much on an antique piece of an old era but it is so because it also defined a very different kind of world whose emotional and life tone was very different from our present world.
It threw a very dim light and they who had been adapted to the brightness of an electic lamp found in begining the illumintion provided by it very gloomy and
apprehensive. Its effect was a kind of mixture of darkness and light.
But once when the eyes adapted to it you found around it a world of close feelings and emotions. It was a world very limited in material means but rich in affection and love. Once the darkness descended and lamphoo was lit up the feeling of ushering in into the other phase of existence defined by darkness and night was enthralling and vivid .
The voices became more subdued and sombre. Even the vivacious chhatter and romping around of children took a subdued turn with a change in the hue of surroundings.
The expressions of stress were not evident in faces who were moving around in the dim illumination of Lamphoo. It was rather a
feeling of a day spent in the satisfaction of hard work done and the awaiting rest for the ‘golden dew of sleep’.People gathered around lamphoo to discuss the days affairs or children around a nani or dadi with their tales.

AN ESKIMO OR INUIT
Something resembling Lamphoo I saw many many years later in a surrounding very unusual for me.I was seeing a documentary on the Inuits or Eskimos of Arctic in Discovery channel . Inuits are people who live in most harsh extremes of climatic conditions where material comforts are too scarce. But they are
also considered by Anthropologists as one of the happiest people in earth .
When the documentary showed the inside of their hut my eyes fell on their lamp. More or less like a lamphoo. This one was hand made but lamphoo was a factory product. Besides the oil used in their lamp is from the liver of Whale. But the illumination it was sending in the surroundings and its impact on feeling was same as that of lamphoo.
Yet the most surprising part came to me later when narrator asked an Eskimo Lady how they greet each other on a new year. Their new year wish goes like this-
‘MAY THERE BE ENOUGH WARMTH IN YOUR HUT , ENOUGH OIL IN YOUR LAMP AND
PEACE IN YOUR HEART’
This gave me lot of thought. Such wise people ,away from the trappings of the life of material riches. Asking so little and yet aiming for that ultimate thing for which after all wanderings around the world every human heart seeks.
‘PEACE IN MY HEART’
I dare say that all my kinsfolks whom I saw around the dim illumination of Lamphoo were filled up with same noble aspiration.

I want to thank the writer (his name is not mentioned in any post) and all those who shared it. It helped me to expand my memory into those recesses of mind where it might have remained forever ,uninvoked by these posts.

FOR WHOM THE BELL TOLLSIT TOLLS FOR THEE

Friends in a previous post in response to a friends post I tried to put some thoughts which came instantly to my mind . The post caught me in a pensive mood(I think evoked by extension after extension of Lockdown) and created in me an urge to express something at the moment and let out some of my feelings.
Later on in a moment of reflection I felt that deeper feelings should be elaborated in a moment of poise and calm reflection or it may evoke confusion in others and may be rendered unintelligible. So with your indulgance I will take an opportunity here to give more elaboration to what i felt.
Infact the post was meant to bring upon a lighter mood .It tried to transform some famous dialogues of bollywood movies into humorous statements of present situation.
The second one from Deewar said
Mere paas insurance hai, bank balance hai Tumahre pass kya hai. The answer was’ Mere paas corona vaccine hai’.My first reaction was – but of course no one has presently corona vaccine otherwise the present situation will evaporate and things will get back to as usual.
But instantly an other image flashed on in my mind which has clutched on my heart ever since I saw it on TV. Whenever, since I saw it on TV ,it crosses my mind, it leaves me numb with sadness.

Here a cute looking girl child in rags and barefooted(TV camera focussed to show
her barefeet) who should be not more than four or five years old was holding her mother hand. The mother had her other hand on the top of the load which was on her head .The little girl was dragging her one foot which definitely was blistered by walking for a long time on a sun baked hot motorway road. The child was Crying and looking upto her mother every other moment pleading for something desperately. Clearly she was asking for some rest. Her blistered foot could take it no more. The mother kept walking . The image disappeared after some seconds from TV but it was enough to remain etched in my mind forever. I think I will take it to my grave.
I looked around myself and my family. How many people are there who are perfectly comfortable and untouched by this unprecedented crisis like us ? Infact almost everyone in my social circle. But not that little girl , her mother ,her family and millions and millions like them .
It was the recollection of this state of mind which made my eye to catch particularly that second dialogue and I wrote- The second one is most moving and philosophical. Everyone will live this unprecedented crisis as destiny has determined. Some children are perfectely comfortable with an extended unexpected holiday period while some are walking on hard sun burnt hot roads on blistered foot fervently pleading their parents to take some rest because their blistered feet cannot take it any more.

Months ago I had forwarded this post displayed below in this group. I donot know how many of you will recollect it but for me it remains indelible from my memory . Here a rag pickerboy half naked from waist up is looking up at a mannequin in deep wonderment which is clothed in the best clothes world has to offer.
Below the picture is this beautiful caption.
Kis ko kya mila is ka koi hisab nahin,
Tere paas Ruh Naheen mere paas Libaas nahin.

Who can ever question destiny?
Strangely by the great tricks of memory at the moment i reacted to the post a song from a movie seen long long ago was called up in my conciousness .Everyone has heard the song Tujhse Naaraz nahin Zindagi Hairan hoon main. A boy in our class who did not like the subject parodied it to ‘Tujhse Naaraj Nahin Biology Hairan Hoon main ‘.It did take life more than three decades to make me ponder more deeply on the deeper meaning of that Line of the song.
Who can ever dare to grudge whatever nature throws at us? Eventually we are helpless before the onslaughts of it . But when chance hits us with us full force we are stunned and flabbergasted nevertheless.
Today so many by kind grace of destiny are fine with this corona trick of nature and others are plumbing the depths of misery but what is the Hisab of it ? No one has the answer . No one ever had.
Great Actor Irfan who has died, almost at my age, said this on TV. He has taught his children to tune in with the great dance of Uncertainity. The gentle fellow had learnt the wisdom of the years.
For myself I am not going to give thanks to God for keeping me comfortable in this one other crisis ,the processions of which never stops in man’s Life or History. I would rather say ‘Thy will be done O God’. Put me wherever and howsoever thy will wants to put me.I am not the measure of thy creation nor is any other man.
But yet this beggar will make a request from thy endless bounty .Give me serenity to accept wherever or Howsoever I am.

A poet has once addressed the Almighty
‘Kya kewal abhilasa doge Tripti nahin doge e dani’? On my part I want to address Almighty thus-
All my life you gave me ambition to be this or to be that. Now let this be my Tripti.
Let me be whatever I am . Let me face the world of men with all my shame, my despair, and my pain and all the gone moments for whatever they were. palpating with bad or good . with pain or happiness. Give me power to hide nothing Let my soul be revealed in your mirror .To be myself for whatever I am. To live as I am.
Let me be like that sheperd of the bard(shakespere)who when asked who he is and what he does answers thus-
Sir,I am a true labourer:I earn that I eat, get that i wear, owe no man hate, envy no man’s happiness,glad of other man’s good, content with my harm, and the greatest of my pride is to see my ewes graze and my lambs suck.

One last thought. Once while going to the serene Forest lake of Bhaludam with freinds
I remember discussing with great feeling the novel ‘FOR WHOM THE BELL TOLLS’by novelist and poet ‘Ernest Hemingway’.

Whenever a christian dies a bell tolls in the church to give the message of death . At the end of the story the protagonist in the novel says to himself – IT TOLLS FOR THEE. A part of humanity dies in me whenever a man dies .My pain is pain of all humanity.
That day on seeing that cute child dragging her feet on a hot mettaled road and feeling her pain from the depths of my heart, for some moments, I felt completely the meaning of those lines.
If you are with me upto this point please accept my thanks for listening to my feelings.

पहाड़ में हर आम-ओ-ख़ास के कवि हैं शेरदा

One extremely wonderful person ,the kind of whom I never perhaps will know again, is a Kumaoni poet,who is no more and was called
‘SHERDA ANPAD’
He had absolutely no formal education but he turned out to be one of the most wonderful poet who could make you hysterical with laughter by his comic poems. Yet he also wrote beautiful serious poems.
Though thoroughly unlettered yet his poems are in the Hindi syllabus of M.A. in Kumaon university and PHDs are done on his work .
Here I have translated a part comic part tragic kumaoni poem of his
called ‘ मुर्दाक बयान’ in kumaoni, which I have translated as ‘THE CORPSE’S LAST EPISTLE’
I hope even if you do not know kumaoni you will get some idea of the comico tragic quality of his poems.

SHERDA ANPAD

जीवन की गजब दार्शनिक एवं व्यावहारिक समझ थी शेरदा अनपढ़ को

जो दिन अपैट बतूँछी, वी मैं हूँ पैट हौ.
जकैं मैं सौरास बतूँछी, वी म्यर मैत हौ
मायाक मारगाँठ आज, आफी आफी खुजि पड़ौ.
दुनियल तराण लगै दे, फिरि ले हाथ है मुचि पड़ौ.
जनूँ कैं मैंल एकबट्या, उनूँल मैं न्यार करूँं
जनूँ कैं भितरे धरौ, उनूँलै मैं भ्यार धरूँ.
बेई तक आपण, आज निकाऔ निकाऔ हैगे.
पराण लै छुटण नि दी, उठाऔ उठाऔ हैगे.
(Sher Singh Bisht Sherda Anpad)

An english translation of this poem by me

THE LAST EPISTLE OF THE CORPSE
The day considered inauspicious
turned out my farewell day,
What I thought was my home
Is now a strangers’ way .
The lock which bounded me to the world
opened by itself today,
The word which has set me aside
I Implore it to wish me good death day.
Whom I did abide with
Now me disunite,
whom I brought into home
now throw me outside.
Yesterday they were my own
Today out out they cry
Impatient they are to be away with me
Even before my last breath fly.

A LAKE IN RANIKHET CALLED BHALU DAM

In spring of youth it was my lot
To haunt of the wide earth a spot
The which I could not forget ever
So lovely was the loneliness
Of a wild lake, with high green wooded ridges bound,
And the tall pines that tower’d around.

This Poem by Edgard Ellen Poe(1809-1849) evoked in me the memories of a place in Ranikhet which l have haunted many a times enchanted by its magical solitude and blissful peace.

I suppose not many of you would have visited this place called, Bhalu dam, because it is not very easily approachable.( Many students of class of 84 went here for picnic in the year 1984)
But it is unforgettable if you have been there.
It is located deep inside the forests in the vicinty of chaubatia Area in Ranikhet.

It is located deep inside the forests in the vicinty of chaubatia Area in Ranikhet.
Just above chaubatia garden a wide forest track branches off to the left of the main road and a walk of about 4-5 kms leads through the jungles to this lake which has come up on a dam built by the british for water supply to the Ranikhet town.
It is flanked on three sides by densely wooded mountain ridges and is dammed by a barrage on west some 30- 40 meters in length.
Fed by the cool waters of a gushing mountain stream the lake is nestled in the lap of pine, oak and deodar groves and runs about 800m
more or less from east to west.

The broad track passing through forest .Britishers came here mounted in their horses.

This hut like structure is used as a store to
keep the turpentine ( The resin of pine tree called Leesa in local language) collected from pine trees by forest deptt and is approx midway between the Main Road and Bhalu dam .

The Britishers most probably enjoyed this place heartily as a place of retreat to be amidst pure natural surroundings and put a caretaker here to look after it as is evident from the ruins of two small living quarters.
No one knows why it was named Bhalu dam because no one in living memory of local villagers ever saw a bhalu or bear here. If this animal was seen here in britishers time no one can say.
As soon you enter the forest track the voice of crickets, the rustling of pine leaves and the occassional chirping of birds mingling in the surrounding milieu of forest transports you into a different world of beautiful visions. In the months of April -May or Sept- Oct the forest is in full bloom and the lake is brim full of water .
The walk is almost all downhill while onwards to the lake and reverse on the return journey but at the end of the day it turns out to be a trip to be cherished forever.

GLIMPSES OF HEAVEN AND HELLTHE MYSTERY OF ALCOHOL

What can one say to the reaction of people yesterday when they found that Liqour shops have been opened and the intoxicating drink is available again after such a huge torturous gap to the tipplers . I think the desperation of these people rather surprised many who expected a more sober and cautionary approach by every of these persons in procuring the again available drink, keeping in view the risks of getting a deadly infection .
However For me it did set me to a thinking on the mysteries of this drink which many a times it usually does. one urdu couplet instantly springs up to my mind always on such an occassion which captures the inexorable attraction of it to so many. It goes like this:

ये कौन सा गजब ,ये कौन सा राज
ये कौन सी रहमतें साकी तेरे मैखाने मे
कैसे हजारो बह गए बोतल के बन्द पानी मे|
I donot know who the writer of these lines is but I think in these very few lines he captured a great predicament of so may human beings beautifully.

The mystery and ubiquitiousness of this drink is as old as humans and their civlization.
“The oldest verifiable brewery has been found in a prehistoric burial site in a cave near Haifa in modern-day Israel. Researchers have found residue of 13,000-year-old beer that they think might have been used for ritual feasts to honor the dead. The traces of a wheat-and-barley-based alcohol were found in stone mortars carved into the cave floor.”
In our own country the reference to it by the name of ‘soma ‘ is right there from the begining of Vedic period.
“The Rig Veda frowns somewhat on alcoholic drinks and says they may cloud one’s judgement and lead minds astray. But a little later, the sutras (treatises on the Vedas) say that people may swill alcoholic drinks on happy occasions such as the arrival of an honoured guest, entering a newly built house or the arrival of a bride into the family.”
But how do you explain the mystery of this inebriating drink which has been not only been an indispensable part of human social and cultural system but has found innumerable references in lierature poetry,songs , dramas and even in spirituality.
For the sufi spiritual tradition the metaphor of wine is pervasive.
According to them to realise god is to gain a joy which is incomparably more joyfully intoxicating than the common wine but as an indication they fall back to example of wine . Hence they wittingly or not underline its happiness giving property.
Omar khayyam the sufi poet has written a great work called Rubbayit in which all poems are on the glory of wine but it is universally recognised that it is metaphor for divine joy. But metaphor nevertheless.
Our Hindi poet Harivansh rai bachhan wrote his hugely popular Madhusala inspired by the Rubayyit of omar khayyam.
In urdu poetry again the poets find the simile of wine convenient to convey joyous ,ecstatic feelings.
In Hindi movies there is a song of Mohammad Rafi which happens to be a Favorite of many an adept drinkers as well as others .It is picturised on Raj kumar and Meena kumari.
छू लेने दो नाजुक होंठों को
कुछ और नही है जाम है ये
कुदरत ने जो हमको बख्शा है
सबसे हसीन ईनाम हे ये |

But what explains all this? can the fascination be explained in deeper terms.
The following extract from great philosopher and psycologist William James book :’VARIETIES OF RELIGIOUS EXPERIENCES’ enumerates it in following terms.
The sway of alcohol over mankind is unquestionably due to its power to stimulate the mystical faculty of human nature, usually crushed to earth by the cold facts and dry criticisms of the sober hour. Sobriety diminishes, discriminates, and says no ;drunkenness expands, unites and say yes. It is in fact the greater exciter of the Yes function in man. It brings its votary from the chill Periphery of things to the radiant Core. it makes him for the moment one with truth. Not through mere perversity do men Run after it. To the poor and the unlettered it stands in the place of Symphony concert and of literature; and it is part of the Deeper mystery and tragedy of life that whiffs and gleams of something that we immediately recognised as excellent should be vouchsafed to so many of us only in the fleeting earlier phases of what in its totality is so degrading a poisoning .The Drunken consciousness is one bit of mystic consciousness and our total opinion of it must find its place in our opinion of that larger whole.
One conclusion that is forced upon my mind by effects of intoxicating objects is that our normal waking consciousness as we call it , but one special type of consciousness,while all about it, parted from it by filmiest of screens there lie potential forms of consciousness entirely different.

In Alcoholic Anonymous Sobriety token or “chip” is given for specified lengths of sobriet.On the back is the Serenity Prayer. Here green is for six months of sobriety; purple is for nine months

ALCOHOL THE VILLAIN
It is one side of the story. The other side of the story is no less strong.
Alcohol is commonly abused due to the easy access and the lack of stigma around binge drinking and partaking in social events such as happy hours. Alcohol may be the most difficult substance addiction to diagnose due to the close ties it has to social events. Alcoholism is actually very common and over consumption could have serious adverse effects on health.
The addiction to Alcohol can be so over powering that it can break homes , destrory childhoods and can ruin the lives of individuals families. (almost everyone can recall such examples)
In its adverse aspect its effect can be as universal as human beings and thus the solutions to its depredations have also been found at Universal level.
ALCOHOLIC ANONYMOUS
Alcoholic Anonymous was founded in 1935 in Akron, Ohio when one alcoholic, Bill Wilson, talked to another alcoholic, Bob Smith, about the nature of alcoholism and a possible solution. With the help of other early members, the book Alcoholics Anonymous: The Story of How More Than One Hundred Men Have Recovered From Alcoholism was written in 1939. Its title became the name of the organization and is now usually referred to as “The Big Book”.

AA membership has since spread internationally “across diverse cultures holding different beliefs and values”, including geopolitical areas resistant to grassroots movements.Close to two million people worldwide are estimated to be members of AA as of present.

What you say to so complex and mysterious a thing.
For myself I will like to repeat once more what I said here earlier.
EVERYTHING IS A GIFT OF NATURE UNLESS IT IS ABUSED..

Some comments on Alcohol

RANIKHET -THE CITY OF CHURCHES AND TEMPLES

Sir Vidyasagar Naipaul(1932-2018) noble prize winning author of indian origin once visited a place called ‘Minangkabau’ in Indonesia. It was a sacred place for people of Indonesians
. He writes -To see this place was to feel its sacredness;It was not necessary to know anything of its history or its myth. It would always have been a sacred place;it would always have had a power over human imagination.(Beyond Belief-VS naipaul1998)
I can understand what sir VS naipaul was trying to convey . We sometimes come across some places so beautiful ,calm and soothing,elevating the spirit so high that mind stays with the wonder of the site for ever.
Normally the instinct is to raise some monument, essentially spiritual, at such a site.
I surmise that it was a reason that britishers who were christians built up so many churches in Ranikhet ,all at sites which provide a perfect setting for mind to contemplate higher things.
Perhaps you dont know that Ranikhet was once called the city of churches, their being as many as Nine churches in this small cantonment town . Most of them are still extant and are located variously from the easternmost post of chaubatia upto the far western corner of Deolikhet in Ranikhet.
All these churches are constructed in specific and distinctive western architectural style.

Let us start from chaubatia. There are I think three churches in chaubatia .In any case there are definitely two because I have been inside them.
The St .Mitchell church located at a height of 7000 foot was once famous all over North India. It was built in the year 1882. At present it is under army which has renamed it as kautilya house . You can have a view of this church from the top of the road on the right ridge of Nar singh Ground. The road bordering another church which now houses KRC Wollens. From this point you can see this church on a distant south eastern horizon flanked all around with lush vegetation of deodar and oak woods. The spire and slanting steep roof of the church painted in bright sky blue peeks out from the dense green forests. A very beautiful sight indeed.
One other church is just adjacent to the settlement of chaubatia to its northern side and at a slightly elevated location from the rest of the settlement .It is perhaps called St Bonventure and was built in the year 1889.
I once went inside it and had taken the photographs. but I have missed it with the loss of my mobile in which they were stored. However one line which I read inside that church is still stored in my mind.

‘Ask and it shall be given to you;Seek and you shall find ;Knock and the door shall be opened to you. Matthew 7:7’
I find these lines very touching .
This church came up perhaps in the year1889.
Perhaps there is one more church in chaubatia called st vincent built in 1882 but I am not sure of its exact location.
These churches most probably belong to protestant, anglican or methodist sects because the catholic church ,the main church is in Mallroad just above cannossa convent

This catholic church is built up in what is called the Gothic architecture .Gothic architecture is an architectural style that flourished in Europe during the High and Late Middle Ages. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. The defining element of Gothic architecture is the pointed or ogival arch. It is the primary engineering innovation and the characteristic design component.
The next church below eight major quarters is the only church which we saw in a dilapidated and abandoned condition. our army pals who lived there must have a lot memories associated with it because they saw it everyday, to and fro, to school. Many imagine it haunted but normally it is seen from far off as a forlon structure.(I wish it was maintained and put to some use .Afterall it is a great historical heritage)

The no. six and seven churches are on the either said of Nar singh ground and are presently hub of productivity churning out shawls and woolen products. Run by army for the welfare of war effected families.

Most of you will be unaware of the fact that the church on the mankeshwar temple side was for many years under the occupation of kvr.
And definitely it added to the elegance and wider facilities of the school many times over. It worked as an auditorium,indoor stadium and even cinema hall.I remember one movie ‘Jahan pyar mile’ played many times on the projector of local office of information – broadcasting ministry inside this church.
This office used to play many documentaries and sometimes movies here for school . The students who were in kvr in the period 1972_1978 would be able to recall this.
Besides the church had a large open compound outside it for children to romp around.It was really missed when army claimed it.
The no 8 church is just adjacent to somnath ground to the west of it while the last one is some one km or more further up where military quarters are built .I once had chance to visit this place with a christian priest friend but cannot recollect its exact location

THE TEMPLES OF RANIKHET

There are three major temples in Ranikhet and again what makes them very special is their Location turning them into sacred spaces in sir Vs naipaul’s perception .The Jhula devi and Ram temples are on the outskirts of ranikhet towards the east and midway between Ranikhet Market and chaubatia.All around it. it is surrounded by lush, dense forests.If you have any chance to see a tiger in Ranikhet you can see it here some time in late evening.Here You get the feeling of being away from crowd and in relative solitude.The place has spiritual vibes.

Kalika temple on the west again has the most suitable location for a spiritual place .On approaching it from main road we climb a flight of stairs to reach the top. But if you approach it from opposite side through the forest road it is much more marvellous .The forest on this side of temple is really lush and beautiful.Himalayan peaks too are visible from this temple.

Lastly ,Haidakhan temple at chiliyanaula, no doubt, commands one of the best view of Himalayas seen from anywhere in Ranikhet .A perfect place for a temple. On a particularly good day here, the Himalayas, are so clear and seem so near, it seems we and the temples are amidst the snowy peaks.The temple and the big hall inside induce spiritual contemplation.
All these places came to my mind when I read about sir Naipauls thoughts on sacred places.
Sure Mind works in mysterious ways.